ILARIA FULVIO
GBCT
FOCUS PULLER
TV Dramas, Features, Commercials & Promos
mail@ilariafulvio.co.uk I mob: +44(0)7530942010
bookings@suzcruz.co.uk I +44(0)1932 252 577 I +44(0)7538 927 590
Yungblud "God save me, but don't drown me out" (2020, FEUD Creative)
Directed by Yungblud & Gavin Gottlich
Cinematography by Catherine Derry
Alexa Mini, Cineovisions
Ren Harvieu "Strange Thing" (2020, Blindeye Films)
Directed by Jamie Thraves
Cinematography by Catherine Derry
Sony F5, Zeiss CP.2
Leonard Cohen "Thanks for the dance" (2019, Art Partner)
Directed by Harley Weir
Cinematography by Alexander Ingham Brooke
Operators: Jake McClean Walker, Oscar Oldershaw
Alexa Mini, Cooke S4
Ten Tonnes "Lucy" (2019, Gas&Electric)
Directed by Vasilisa Forbes
Cinematography by Ruaraid Achilleos-Sarll
Red Dragon, Alura Zoom Lenses
Jon Batiste "What a wonderful world" (2018, Radical Media)
Directed by Samona Olanipekun
Cinematography by Simona Susnea
Camera Operator: Matt Allsop
Arri 416, Zeiss Super Speed MKIII
The Vamps "Hair too long" (2018, Universal Music Group)
Directed by Dean Sherwood
Cinematography by David Spearing
Camera Operator: James Elias
Alexa Mini, Arri Ultra Primes
Tracey Thorn "Queen" (2017, Cannon & Morley Productions)
Directed by Carol Morley
Cinematography by Nicola Daley ACS
Alexa Mini, Cooke S2 Speed Panchros
Tom Misch "Movie" (2017, OB Management)
Directed by Joshua Osborne
Cinematography by Diana Olifirova
Camera Operator: Grant Sandy-Phillips
Alexa Mini, Zeiss Super Speed MKIII
The Pains of Being Pure at Heart "So True" (2017, Film Like Jerome)
Directed by Nicola Saint-Marc
Cinematography by Nicola Daley ACS
Arri Amira, Zeiss CP.2